
2025/09/12 - 2025/09/14
Tokyo Gendai 2025
MAKI
4-11-11 Jingumae, Shibuya-ku
Tokyo 150-0001 JAPAN
Tel: +81-3-6434-7705
E-mail: info@makigallery.com
To be announced

2025/09/12 - 2025/09/14
Tokyo Gendai 2025

2025/05/09 - 2025/05/11
Taipei Dangdai 2025

2025/03/07 - 2025/03/09
Art Fair Tokyo 2025

2025/01/17 - 2025/01/19
ART SG 2025

2024/11/01 - 2024/11/03
Art Collaboration Kyoto 2024

2024/07/05 - 2024/07/07
Tokyo Gendai 2024

2024/05/10 - 2024/05/12
Taipei Dangdai 2024

2024/03/08 - 2024/03/10
Art Fair Tokyo 2024

2024/02/22 - 2024/03/11
CURATION⇄FAIR Tokyo 2024

2024/01/19 - 2024/01/21
ART SG 2024

2023/11/10 - 2023/11/12
West Bund 2023

2023/10/28 - 2023/10/30
Art Collaboration Kyoto 2023

2023/10/20 - 2023/10/22
Asia NOW 2023

2023/09/22 - 2023/09/24
ART FAIR ASIA FUKUOKA 2023

2023/09/08 - 2023/09/10
The Armory Show 2023

2023/07/29 - 2023/07/30
ART OSAKA 2023

2023/07/07 - 2023/07/09
Tokyo Gendai 2023

2023/05/12 - 2023/05/14
Taipei Dangdai 2023

2023/03/10 - 2023/03/12
ART FAIR TOKYO 2023

2023/01/12 - 2023/01/15
ART SG 2023

2022/11/18 - 2022/11/20
Art Collaboration Kyoto 2022

2022/11/11 - 2022/11/13
West Bund 2022

2022/09/09 - 2022/09/11
The Armory Show 2022

2022/07/09 - 2022/07/10
ART OSAKA 2022

2022/06/03 - 2022/06/05
art stage OSAKA 2022

2022/03/11 - 2022/03/13
Art Fair Tokyo 2022

2021/11/12 - 2021/11/14
West Bund 2021

2021/03/19 - 2021/03/21
Art Fair Tokyo 2021

2020/01/17 - 2020/01/19
Taipei Dangdai 2020

2019/10/18 - 2019/10/21
ART TAIPEI 2019

2019/09/07 - 2019/09/09
artKYOTO 2019

2019/03/27 - 2019/03/31
Art Central Hong Kong 2019

2019/03/08 - 2019/03/10
Art Fair Tokyo 2019

2019/01/18 - 2019/01/20
Taipei Dangdai 2019

2018/10/26 - 2018/10/29
ART TAIPEI 2018

2018/05/04 - 2018/05/06
Frieze New York 2018

2018/03/08 - 2018/03/11
Art Fair Tokyo 2018
Tokyo-based Asami Kiyokawa utilizes a distinct method of applying embroidery to photographs, fabric, books, and magazines to express the complex beauty of contemporary society while exploring new relationships between humans and their environment. Her work frequently integrates organic elements and allows visitors to experience heightened communion with their surroundings, particularly in an age when technological advancement and urbanization increasingly distance us from the natural world.
Los Angeles-based Jennifer Rochlin’s hand-sculpted clay vessels are painted with a wide range of motifs, anywhere from art historical and pop cultural references to more autobiographical chronicles of her personal life. The lush flora and fauna of California frequently make an appearance as manifestations of her daily observations and evince the artist’s adoration of nature’s enveloping beauty.
Aichi-based Keisuke Tada employs a unique, sculptural use of paint in works that question the very foundations of our universe—time, space, matter, and gravity—and how they transform and warp as they travel between physical and virtual dimensions. His Paintings of incomplete remains initially resemble old, weathered European landscape paintings, yet they are contemporary creations based on CGI-generated scenery; Tada deliberately ages the painted surfaces to depict a time and place that does not exist.
Tokyo-based Takuro Tamura exercises his keen observational skills, technical mastery, and playful sense of humor to explore the irony that pervades our relationship with nature. The artist’s sculptures combine plants with asphalt, alluding to environmental destruction while simultaneously recognizing nature’s tenacity and refusal to completely submit to human suppression.
Oita-based Shiori Tono confronts the fragility and elusiveness of memory by painting specific moments from her past, gradually filling in a latticed canvas with miniature abstract compositions that eventually merge into a single image. She often finds inspiration in photographs of landscapes and floral motifs, which she has taken herself. The distortions that emerge from her unique method emulate the way memories linger in our minds: fragmented, disjointed, and evanescent.
We look forward to seeing you at Booth C09.